Blackie Sharon
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'There can be a perverse pleasure, as well as a sense of rightness and beauty, in insisting on flowering just when the world expects you to become quiet and diminish.' Sharon Blackie What is Hagitude? It means being at ease with the unique power women embody in the second half of their life. It means having a strong sense of who we are and what we have to offer the world. And a firm belief in our place in the ever-shifting web of life. For the woman who wishes to flourish without chasing eternal youth comes Hagitude. Interweaving myth, psychology, landscape and ecofeminism, acclaimed author Sharon Blackie reclaims the mid years as an alchemical moment - from which to shift into your chosen, authentic and fulfilling future - and the elder years as a path to dynamic influence. 'A fascinating book ... well researched, packed with stories and bursting with lovely descriptions of the natural world. There's plenty in it to inspire women of every age.' Christina Patterson, Sunday Times
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THE FIRST NOVEL BY THE AUTHOR OF WORD-OF-MOUTH BESTSELLER IF WOMEN ROSE ROOTED 'You and me against the world, you used to sing. In the days before it became you and me against each other.' Cat Munro - who has never taken a day off in her working life - quits her corporate job and starts flying lessons in a small plane over the Arizona desert, confronting her fear not only of death, but of life. Her mother, Laura, moves back to the Scottish village where she spent the first years of her marriage to Cat's abusive father. Though they are apart, the past connects mother and daughter, haunts them, binds them. From the excoriating heat of the Arizona desert to the misty flow of a Highland sea-loch, Sharon Blackie's soaring first novel presents us with the transformative power of landscape, and of storytelling, in women's lives. Above all, The Long Delirious Burning Blue is a story of courage, endurance and redemption. 'It is that rarity, a first novel that smacks of not merely confidence, but authority ... The ending is powerful, filmic, and achieving the kind of symmetry that novels often aspire to, but rarely reach.' The Scotsman
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